![]() So, this already generous effects section is only the tip of the iceberg. There’s a button to toggle each of the effects, and a single knob for each of them, plus a tap button to set the delay tempo.Īnother cool thing about the BOSS KATANA amplifiers is that they let you assign other effects to these knobs if you use the BOSS Tone Studio software. In the effect section, you’ll find a bunch of buttons and knobs. So, you can enjoy that tube tone without upsetting neighbors or scaring away the audience at a small gig. However, the KATANA-Artist’s POWER switch can add 0.5W, 50W, or 100W of extra drive without increasing the output volume. The problem with classic tube amps is that you need to play at a high volume to get that sweet tube sound. Perhaps the most interesting feature here is the POWER control. The adjacent VARIATION button toggles between the two modes of each amp type. On the far left, there’s the AMP TYPE knob, which selects the core tone of the amplifier, which lets you choose between the five different amp models. And it has a presence dial, which affects the treble very nicely. Then, there’s a knob each for bass, midrange, and treble. First, there’s the usual gain, volume, and master knobs. ![]() ControlsĪ BOSS KATANA-100 has all the usual controls you’d find on decent amplifiers, plus a few more. In Dual Link mode, each amplifier works independently, and you can dial in two completely different sounds. ![]() It also adds a lush stereo depth to the reverb and chorus and enables alternating ping pong delays. Whatever settings you dial in on the master amp, it copies. The Stereo Expand setting makes the second amplifier follow the first one. Connecting two amps gives you a lot of creative options. Plus, BOSS has designed a very powerful stereo linking function. Plus, there’s a power amp input, which lets you connect your favorite preamp or modeler and bypass the built-in one, to use the Boss KATANA-100 MkII just for its cabinet and Tube Logic. It also takes a MIDI input and USB B port. With the Roland GA-FC footswitch, you get tons of control.Īlso, it supports external speakers and offers mic emulation for recording. The BOSS KATANA-100 accommodates a series/parallel FX loop, and it can handle two footswitches or an expression pedal. Namely, there’s an octaver, a wah, and something called pedal bend, which is the same thing as a whammy pedal. That last one lets you keep effect tails from pedals unaltered when you switch between channels.Ĭonnecting a BOSS KATANA amplifier to the BOSS Tone Studio software unlocks a few more effects. There’s a booster, a chorus/mod, a delay, a reverb, and a serial/parallel FX loop. There are now five effects instead of three. Plus, you can store eight custom settings and recall them as you play for instant transitions without having to stomp a bunch of pedals in rapid succession.Īnother MkII upgrade is an extended the effects section. With the built-in equalizer and effects section, it offers a vast tonal palette for guitarists. There are five to choose from, but the KATANA-100 MkII has two modes for each, effectively giving you ten different amp variations. Now, the most impressive quality of the BOSS KATANA Amps is the variety of amp characters. ![]() It’s got a custom 12-inch speaker, lots of creative controls, and that nifty BOSS Tube Logic power control. The general design is the same as before.
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